top of page

Vibrations and Acoustics
Our research in vibration and acoustics spans a broad spectrum of applications, from the structural analysis of materials to the acoustic properties of musical instruments. Through a blend of theoretical analysis, computational modelling, and experimental validation, we aim to unravel complex problems and contribute to advancements in various engineering applications.
Can a Brace be Used to Control the Frequencies of a Plate? SpringerPlus. 2:558, 2013
Dumond, P., Baddour, N.,
2013
Although many improvements in the manufacturing of guitars have been made recently, one aspect that has often been overlooked is that of the acoustical consistency of the final manufactured product. The aim of this paper is to create a better understanding of the effect of a brace on the frequencies of vibration of the brace-soundboard system. This paper seeks to shed light on why a luthier ‘tunes’ braces when a guitar soundboard is hand-manufactured. A simple analytical model of a rectangular brace and soundboard is derived from first principles using Kirchhoff plate theory in order to develop insight into the effect of the soundboard’s stiffness and brace thickness on the frequencies of the combined system. Natural frequencies and modeshapes of the combined system are calculated via the assumed shape method. Results show that by adjusting the thickness of the brace in order to compensate for the stiffness of the plate, one of the natural frequencies of the combined system can be adjusted to meet a desired value. However, simultaneously adjusting several natural frequencies cannot be done with a rectangular brace. Therefore modifications to the shape of the brace are explored.
Effects of a Scalloped and Rectangular Brace on the Modeshapes of a Brace-Plate System. International Journal of Mechanical Engineering and Mechatronics. 1(1):1-8, 2012
Dumond, P., Baddour, N.,
2012
Shaping the soundboard braces on a wooden stringed musical instrument has long been a way in which instrument makers optimize their musical instruments. Reasons for these methods are scientifically not well understood. Various bracing patterns have successfully been used to create different-sounding wooden stringed musical instruments. These bracing patterns stimulate the modeshapes that are specific to the soundboard of the instrument. However, a higher adjustment resolution is required in order to specify the frequency spectrum of the musical instrument. This paper demonstrates how the shape of the braces affects the modeshapes of the vibrating system. A simple analytical model composed of a plate and brace is analyzed in order to see these effects. The results are plotted together for three cases: the plate by itself, the plate with a rectangular brace and the plate with a scalloped brace. For clarity, the modeshapes are analysed in 2D at different locations and along both the x and y directions of the plate. It is shown that any brace affects modeshapes for which the brace does not run along a nodal line. The different shapes of the brace are shown to affect different modeshapes by various degrees. If braces are stiffened at locations of maximum amplitude for a given modeshape, then that modeshape will be significantly affected. It is clear that by properly designing the shape of a brace, instrument makers can exert great control over the shape of the instrument's modeshapes and therefore also their frequencies.
Effects of Using Scalloped Shape Braces on the Natural Frequencies of a Brace-Soundboard System. Applied Acoustics. 73(11):1168-1173, 2012
Dumond, P., Baddour, N.,
2012
Many prominent musical instrument makers shape their braces into a scalloped profile. Although reasons for this are not well known scientifically, many of these instrument makers attest that scalloped braces can produce superior sounding wooden musical instruments in certain situations. The aim of this paper is to determine a possible reason behind scalloped shaped braces. A simple analytical model consisting of a soundboard section and a scalloped brace is analyzed in order to see the effects that changes in the shape of the brace have on the frequency spectrum of the brace-soundboard system. The results are used to verify the feasibility of adjusting the brace thickness in order to compensate for soundboards having different stiffness in the direction perpendicular to the wood grain. It is shown that scalloping the brace allows an instrument maker to independently control the value of two natural frequencies of a combined brace-soundboard system. This is done by adjusting the brace’s base thickness in order to modify the 1st natural frequency and by adjusting the scalloped peak heights to modify the 3rd natural frequency, both of which are considered along the length of the brace. By scalloping their braces, and thus controlling the value of certain natural frequencies, musical instrument makers can improve the acoustic consistency of their instruments.
bottom of page